art print > top art print > School of Athens print
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School of Athens posters and print
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School of Athens Art Print 38 in. x 27 in. Raphael
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School of Athens Art Print 36 in. x 24 in. Raphael
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School of Athens Art Print 32 in. x 24 in. Raphael
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School of Athens Art Print 28 in. x 22 in. Raphael
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School of Athens Art Print 24 in. x 20 in. Raphael
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School of Athens Art Print 17 in. x 23 in. Raphael
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School of Athens Art Print 17 in. x 23 in. Raphael
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School of Athens Art Print 15 in. x 12 in. Raphael
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School of Athens Art Print 14 in. x 11 in. Raphael
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School of Athens Art Print 10 in. x 8 in. Raphael
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School of Athens Framed Art Print 49 in. x 36 in. Raphael
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School of Athens Framed Art Print 44 in. x 33 in. Raphael
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School of Athens Framed Art Print 41 in. x 30 in. Raphael
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School of Athens Framed Art Print 39 in. x 27 in. Raphael
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School of Athens Framed Art Print 39 in. x 30 in. Raphael
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School of Athens Framed Art Print 38 in. x 26 in. Raphael
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School of Athens Framed Art Print 37 in. x 29 in. Raphael
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School of Athens Framed Art Print 35 in. x 26 in. Raphael
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School of Athens Framed Art Print 34 in. x 26 in. Raphael
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School of Athens Framed Art Print 31 in. x 25 in. Raphael
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School of Athens Framed Art Print 26 in. x 23 in. Raphael
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School of Athens Giclee Print 24 in. x 18 in. Raphael
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School of Athens Framed Art Print 22 in. x 18 in. Raphael
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School of Athens Framed Art Print 21 in. x 17 in. Raphael
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School of Athens Framed Art Print 17 in. x 14 in. Raphael
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School of Athens Framed Art Print 13 in. x 11 in. Raphael
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School of Athens, 1509 Art Print 40 in. x 30 in. Raphael
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School of Athens, 1509 Framed Art Print 43 in. x 30 in. Raphael
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School of Athens, c.1511 Art Print 35 in. x 23 in. Raphael
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School of Athens, Detail Giclee Print 24 in. x 18 in. Raphael
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School of Athens, Detail of Cartoon of a Young Man's Head, circa 1510 Giclee Print 18 in. x 24 in. Raphael
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Art Information : The School of Athens

The School of Athens or "Scuola di Atene" in Italian is one of the most famous paintings by the Italian Renaissance artist Raphael. It was painted between 1509 and 1510 as a part of Raphael's commission to decorate with frescoes the rooms that are now known as the Stanze di Raffaello, in the Apostolic Palace in the Vatican. The Stanza della Segnatura was the first of the rooms to be decorated, and The School of Athens the second painting to be finished after La disputa.
The painting
Because it was positioned over the philosophical section of the library of Pope Julius II, The School of Athens shows the greatest english teachers, scientists and mathematicians of classical antiquity. Plato and Aristotle, the Greek philosophers that were considered most important, are standing in the center of the composition at the top of the steps. Plato is holding his Timaeus. Aristotle is carrying a copy of his Nichomachean Ethics. Their gestures correspond to their interests in the philosophical field — Plato is pointing upwards towards Heaven and Aristotle is gesturing towards the earth.
Diogenes is lying carefree on the steps before them to show his philosophical attitude: he despised all material wealth and the lifestyle associated with it. To the left, the man leaning on the block is Heraclites, meant to be Michelangelo. This figure was an afterthought: it was not in the original cartoon. In 1510, Raphael snuck into the Sistine Chapel to view Michelangelo’s work on the ceiling by candle light. He was so awed by the unfinished work that he added Michelangelo after the manner of his depiction of the Prophet Jeremiah, to show his respect for the artist.
Raphael's self portrait is at the far lower-right of the fresco, the young man with brown hair staring straight out at the audience. On the left of the painting a girl-like figure, dressed in white, is also staring out at the audience. It is thought to represent Hypatia of Alexandria. Romantic legend has it that the model was Raphael's love, Margherita. Other interpretations, however, claim that it is a portrait of the young Francesco Maria I della Rovere. One of Raphael's contemporary portraits appears to show the same androgynous figure from a similar angle.
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